The Order of Subtraction: The Logic of "Warp and Weft Extraction" in Chaoshan Drawn Work and Modern Design Translation

Abstract

Chaoshan drawn work, a product of the fusion of Chinese and Western craft cultures in the late 19th century, is characterized by the systematic calculation and extraction of warp and weft threads from a fabric foundation to construct patterns. Technically distinct from traditional embroidery, this technique presents a unique openwork structure and geometric order. Currently, research on the inheritance of this intangible cultural heritage rarely deeply analyzes the operational logic underlying its craft essence or its potential for transformation in modern design. From the perspective of design practice, this paper explores how to translate this traditional craft order into a design language possessing modern visual tension. Based on the characteristics of "counting yarns to extract threads" and "needlework filling," and combined with practical cases, this exploration demonstrates that through a rational analysis and translation of the underlying logic of Chaoshan drawn work, new design thinking can be provided for the innovative application of traditional crafts in a contemporary context. Furthermore, through a multi-dimensional evaluation covering craft adaptability, visual expression, and interactive experience, the feasibility and effectiveness of the proposed design translation strategies are validated.